On the 50th anniversary of the protest movements of 1968, this exhibition provides food for thought concerning a period full of creative ferment, which triggered new processes of transformation and renewed vision of the future. The artist experienced this period as a protagonist, together with many of his travelling companions, with the aim of redefining the cultural and ideological canons. The exhibition presents a dozen works created by Merz between 1966 and 1973. This change involved all the arts, from literature to music, theatre, cinema and, of course, the visual arts, which have seen such significant movements coexist such as minimalism, arte povera, land and conceptual art, simultaneously contrasting the then emerging American art with the European scene. It has generated a climate rich in extraordinary sensitivity, a new existential model based on a constant commitment to the concept, presentation and distribution of the art of one’s own time: breaking through the object, a constant and direct control at all times, a shift of art into life, a passionate, multi-faceted and supporting art. The exhibition becomes a story, therefore, suspended between the historical, the political and the poetic, a narration that starts from the words of Mario Merz himself and presents some of the most important works of those years that have become icons of his artistic career. Continuing the Fondazione’s ongoing programme dedicated to the work of Mario and Marisa Merz, this exhibition, Sitin by Mario Merz is the latest in the series of thematic presentations of his work. Previous exhibition themes include: drawing in 2010; pictorial production and its link to architectural design in 2011; and most recently, in 2016, La natura è l’equilibrio, which focused on the relationship between nature and culture. This publication offers a view of the exhibition at the Fondazione together with a selection of texts by Mario Merz on show.